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"How
would I want to be remembered after leaving this world ...
as an artist that stood in awe of the natural beauty of our
planet Earth, that respected every tiny detail thereof and absorbed,
learned and tried to understand nature. I want to leave
knowing that my paintings are an ongoing remembrance of my love for
nature and that it will inspire others to appreciate and love our
planet
I read somewhere that it is not if you have the ability to draw or
paint, but to be able to 'see' and understand what you see that is
important.
I believe anyone can learn to draw, it is a skill that can be
developed through practice. But to be able to 'see' and
understand how things work, then put dimension to it - that is
something totally different, something that is born from deep within
an artist.
I do not like to fill the canvas with a portrait of an animal, but
prefer telling a story or creating a possible scenario that shows
off the animals in their environment. If possible, I like to
encourage the viewer or client to decide whether the story in the
painting makes sense, if the scenario is possible or probable.
Needless to say, I like to be correct in the scenarios that I create
on canvas, which is why I study the environment as well as the
animals.
In virtually every piece I include small interesting objects like
guinea fowl feathers, porcupine quills or butterflies: even if just
one of its wings.
I would like to continue painting for as long as we have the beauty
of nature around us and will always strive for
improvement in my work. I do not know how my work will evolve,
but this I do know ... it will always be an honour to share my
talent wit the public.
I don't really have to find inspiration to do what I do.
I merely do what I know best".
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